works

evening-length plays + performance texts  Fifty Failures of LanguageEarly Morning Song | In Which _______ and Others Discover the End | it’s [all] highly personal | MERONYMY | ENCYCLOPEDIA | Grace Note

short plays + performance texts  Amber (part of The Hive Project) | Bacteria | Echo More Strongly | Fate of Funnels | Harpsichord Capable of Playing at the Normal Level, and More Strongly Aileron | The Golden Age of Regulating | Oneirology: A Lecture | Bluebird | Tabula Rasa | Paige Turner (a library lark) | Minneapolis OMPF 

text installations  Greetings from MaineWriting Workshop

public art  Neighborhood Love Notes | Together Held | Walker Yam: 100 scores for Open Field | Circumstances for We | The Stranger Stranger Supper Series | oneir0nautics | I’m Not Moving to Warsaw

film  Sleeping Between Worlds | Anthology II

contributions to larger works   The End of the Line | Experiment America

dramaturgy  The Architect (Mathew Janczewski/ARENA Dances) | The Good Mother Project (Karen Cellini) | People I Know (SuperGroup) | Things Are You The All (Theo Goodell) | Hidebound (Erik Ehn)

translation assistance  (A)pollonia: Twenty-First Century Polish Drama and Texts for the Stage

articles, essays, blogs  Red Eye Theater blog | “Rachel Jendrzejewski Remembers Megan Mayer’s This is supposed to be my fertile window“All the Things: Geoff Sobelle’s The Object Lesson | “The Movement Between Us, or 2000 Miles from the Teapot” | “The Life and Times of Life and Times: Episode 1″ | “Truthful Ambiguities: Sibyl Kempson and ERS at the Walker” | “Doing the Work” | “Space Matters: A playwrights’ perspective” | “Accumulating Paradox: Cynthia Hopkins and This Clement World”